Feline Focus

Feline Focus
My latest puma, July 2016


Beloved companion to Sarah, Nov 2015

Window To The Soul

Window To The Soul
Watercolour Horse, June 2015

Sleeping Beauties

Sleeping Beauties
Watercolour Lionesses, Nov 2012


"Outside of a dog, a book is man's best friend. Inside of a dog it's too dark to read."

"Those are my principles, and if you don't like them... well, I have others."

Groucho Marx

Snow Stalker

Snow Stalker
Another snow leopard - my latest watercolour offering - July 2013

26 November 2012

"I'll Link To That!"

I mentioned, did I not, in my previous post ‘Critical Art Bypass’ that I had been wandering on the web again just recently, looking for watercolour painting sites to help me improve my technique (which translates to mean ‘to help me change the way I paint so that I can stop painting like me, and paint like all the artists whose work I like.’  Bloody well trying to copy, again, aren’t I?!  Bane of my life).

The thing is this is only half true.  Or a quarter.  Or even a third.  Yes, I started out on my web-trawl with the intention of specifically looking for the above information.  Yes, I set out without telling anyone where I was going.  Or why I thought I was going.  So yes, as always when I undertake one of these misguided missions into the murky depths of cyberspace, I ended up wandering around the web for hours, battered and bewildered, wondering bemusedly how I’d gotten from art to armpits.  You read that right – armpits.  Namely, how to make your own deodorant, using only natural ingredients.  And how to make your own shampoo.  And your own perfume.  And your own toothpaste.  And your own...  The list, as I discovered, is endless.  As are the links.

Links?  Yes, links.  You know, those things liberally peppered around websites, enticing you to click and go... off into who-knows-what alternate universe.  They say things like, “If you liked this, then you might want to read...,” or, “What other people are reading,” or, “Related topics.”  Plus, there are the ones that are just the odd word or sentence, usually embedded within the body of the main text, which light up when you place your cursor over them.  Oh, how I love the words that light up – mirroring what my mind does when it catches sight of all those lovely distractions!  And, of course, you just HAVE to click on them.  You do.  Don’t you?

Well, according to my sane and sensible friend (who’s about as autistic as a plastic bag), no you don’t.  Apparently, other people don’t come on the web looking for one thing and, twelve hours later (that's NOT an exaggeration), find themselves still on here, completely lost, not able to recall what they were originally searching for, and having been led by the nose along a trail that’s taken them from the sublime to the ridiculous. 

I mean, who goes from looking up autism to celebrity gossip – especially when they don’t even own a television, don’t listen to the radio, and don’t read newspapers or magazines?  So what relevance does it have to my life?  None.  But in that moment of compulsive madness it becomes the most important thing in the world to catch up on everything I’ve missed out on in the last six months, or however long it’s been since my last trawl took me to this region of web-space; and I find my life inextricably linked (pause for ironic laughter) to that of Britney Spears, Rhianna, the cast of the new Bond movie, or whomever I happen to stumble upon as I blindly click my way to another bout of autistic obsessive/compulsive insanity.

This is what my best friend means when she says that the web is not designed for me.  I don’t do surfing – you know, skimming lightly over the surface, riding the waves of information ‘til I find what I want, blithely leaving behind that which isn’t relevant, and not getting bogged down in the troughs.  I do deep-sea diving, without enough oxygen to sustain me, ‘cos I’m not good at planning, and I never intend to be down that long.  So I end up feeling dizzy and disoriented from the lack of air, and the pressure of all that information pushing down on my head.  And there I get stuck, plodding along in the darkest depths, dredging the ocean floor to make sure I don’t miss anything, and collecting all the crap that other people would leave behind.  Hell, half of it is probably the crap that people have dumped there in the first place. 

Which is how come I end up reading twenty-five different web-sites about the same thing, in case one of the others has a different answer, a better answer, the RIGHT answer.  Not that this does me much good when I haven’t got a clue what the right answer is: so how I would recognise it even if I did happen to fall over it in my manic, skim-reading frenzy is beyond me.  But I keep trying.  Oh, how I do keep trying.  It’s as if I imagine that I’m going to have a “Eureka!” moment the instant I find what I’ve been searching for.  I have lots of them away from the web (usually very short-lived, and frequently duds), but I don’t think I’ve ever had one on-line.  I tend to come off here feeling more baffled than before I came on, having flooded myself with too much information, most of which bears no relevance to my original search query.

“Why do I keep doing it?”  Why does the sun come up every morning?  Why does the earth keep turning?  Buggered if I know.  What I think I know is that I love reading, and I love accumulating information (though I don’t quite know what to do with it once I’ve acquired it), and I get to do both on a massive scale on the web – unfortunately, without restrictions.  I haven’t yet learned to do discernment.  I think it’s a grand idea, but put me in front of a computer, or in a library, or in front of a television, and I will read or watch anything that catches my interest.  And my interest is easily caught.  It’s not picky, and would probably be the equivalent of a cheap date.  I am an internet tart – I get around a lot, especially as my interest is just as easily lost. 

I also have a trigger-happy finger which just itches to click those links.  And I spend the whole of my time with my hand clasped around the mouse in a death-grip (in case it runs away, perhaps, and gets mauled by a cat), which explains why I have recently started experiencing aches in my wrist, which are probably repetitive strain injuries.  My answer to that?  I just use my left hand instead of my right.  That way I get to have RSIs in both hands – but it means I get to keep on clicking.  As you can see, I was born with an abundance of common sense.

So, having admitted to my linking problem, I guess it’s probably time I tried to do something about it.  Controlled linking, perhaps?     

16 November 2012

Critical Art Bypass

So.... I’ve been suffering for my art just lately.... again (claps hand wanly to forehead, and sighs deeply in an affected manner.  Not really.  But I could be doing). 

Every so often I feel myself filled with an over-abundance of self-doubt about my ability - usually when I’m beginning, in the middle of, or finishing a painting.  So that’s approximately every time I pick up a pencil or a paintbrush, then.

But this time I seem to have been filled with even more than the usual amount.  It’s not even as if I’m experimenting with anything different.  No, I did that with the last painting, when I took the plunge and delved into the world of mixed mediums (and no, that’s not a reference to confused spiritualists).  I’m not even trying to paint anything unusual.

Yet, for some reason, I have got it into my head that the way I paint is now no longer any good, and it’s time to move on up the artistic ladder (hopefully not getting distracted and falling off half-way up), develop my technique, and start painting the way other people do it – ‘other people’ meaning ‘proper’ artists. 

You know, the kind who wear smocks and get paint everywhere, who have studios (or at least a space in which to permanently leave out all of their artistic equipment), use an easel, and have a collection of brushes that would have drastically reduced the sable population (or, at least, the tail end, since that’s where the hair comes from, out of which the brushes are made).  Oh, and who’ve had basic instruction in watercolour techniques.  And I forgot to mention the ‘seriously proper’ artists – the ones who live in a garret, and eat, drink, breathe, sleep, and suffer their art.

Not people like me, who don’t wear smocks or special clothes ‘cos, basically, I am the neatest painter in the world.  Even my tubes of paint are clean, and sit in an orderly manner in their original box.  And, given the size of my home, I have to paint at my kitchen table, which means there’s no room for me to leave things lying around – unless I want to risk getting food all over my art.  I guess it could be a new art-form – painting with mung dal.  Mind you, someone’s probably already done it; and it would be so messy (which, as you may have gathered, is something I don’t much care for).

Nor do I have an easel – just a multi-functional, drop-leaf kitchen table.  But then I don’t do ‘big’ art: you won’t find me attempting to paint a masterpiece on a life-size canvas.  Good thing, too, or I’d be crowded out within a month.

As to my brush collection, it would probably be considered a little on the sparse side, and devoid of all the relevant equipment (since I have very little idea as to what I “should” be painting with – other than it should look like a stick with some soft bristles sticking out the end).  The sables can breathe a deep sigh of relief with me around, especially as I’ve recently decided to go the vegan route and buy synthetic instead.  I hadn’t realised that they actually kill the animals for their tail hair, as well as their pelts which are used in other goods.  I really don’t want ANYONE suffering for my art. 

Which kinda excludes me from the ‘seriously proper’ art set: although I do tend to do a lot of suffering – just not quite in the dying-in-a-garret style.  For one thing, I love my food and my sleep too much to give it up for painting (although I can lose interest in the one and be deprived of the other when I get seriously obsessed about something).  And for another, I’m just too flighty and easily distracted.  I’d get bored if I had to spend all of my days just doing art.  I’d want to do wood-whittling, or stonemasonry.  Vincent Van Gogh I definitely am not.

All of which is tediously familiar territory.  I have the same doubts about everything I do.  I’m not a ‘proper’ writer because I haven’t written a book yet; I don’t own an extensive library; I don’t read ‘proper’ grown-up literature (‘Winnie-the-Pooh’, and ‘The Chronicles of Narnia’ are what my tastes run to: along with an occasional foray into the ebook world of erotic romance literature, with which I seem to have developed a peculiar fascination just lately.)

I’m not a member of a writer’s group; I don’t read extensively (except when I go off on one of my web-trawls, and end up reading anything that pops into my view); and I certainly don’t have a study, with a ‘proper’ desk, at which to do my ‘proper’ writing – something I thought at one time was an absolute necessity, if I was ever going to become a ‘proper’ author.  As if I’d ever get any writing done, sitting in a room surrounded by shelves filled with books from floor to ceiling! 

Now I sit at my laptop, which sits on a desk that used to be a dressing-table, which stands in my living room: and I’m as happy as a seaside donkey wearing a bonnet.

I’m also not a “proper” craftswoman ‘cos my homemade cards look... well... home made.  I think that I’m supposed to be aiming for having them look ‘professional’, like the glossy, mass-produced things that you get in card-shops.  Except then I wouldn’t actually be able to describe them as being either home or hand-made – which kind of defeats the object, really. 

And as for yoga....  I just feel myself to be a fraud half the time, when I refer to myself as a yogi.  I’ve never been to a class, I don’t ‘hang’ or even speak with other yogis, yet I’ve somehow managed to bumble through teaching myself with the sole aid of a book (two books, to be precise, by the same author: ‘Introducing Yoga’, and ‘Yoga In Practice’, by Katy Appleton – beginners, and more advanced).  As a consequence of which, I have probably taken a lot longer to progress than your average yoga student – what with the added impediment of trying to follow a book with an autistic brain ( I mean that I have the brain, not the book, of course!)   

Then there’s the fact that, unlike the ‘proper’ people who do ‘proper’ yoga in their ‘proper’ yoga clothes at their ‘proper’ yoga classes or in their ‘proper’ sacred yoga spaces in their homes, I do mine in my kitchen.  Yes – my kitchen.  That multi-purpose room where nearly everything creative I do gets done. 

My kitchen is my sacred space – a sanctuary to which I can retreat and enjoy the calming influence of yoga... done to the accompaniment of the fridge-freezer merrily gurgling away when it decides to kick into gear; the gas boiler firing up every five minutes; the dulcet tones (I’m being ironic here) of my downstairs neighbour drifting up through the floorboards to gently caress my eardrums, along with the heavenly aroma of his cigarette smoke encompassing me as it, too, insinuates its way into my flat; and the heavy bass of my next door neighbour’s music filtering through the walls, when he has a musical moment.    

And not for me a statue of Shiva, Krishna, or even a Buddha to meditate upon and salute to during the Sun Salutation.  Oh no.  When I bow down, I do so to the ever-present figure of my Hoover Optima Wash System1600 washing machine (they do say cleanliness is next to godliness, do they not?)  And I wonder why my journey is taking so long, when I’m surrounded by such an abundance of distractions?

So no, there’s nothing ‘proper’ about me.  I’m not even a ‘proper’ person, being autistic and all.  But I keep giving it a jolly good try.  And, in an attempt to move myself up into the ranks of the “proper” artists’ set, I have been on a wild goose-chase for the last couple of weeks, surfing the internet, trying to find out how to do watercolour painting ‘properly’, whilst not doing any actual watercolour painting at all (it’s my favourite avoidance technique, looking on the web). 

And you know what I found?  A lot of convoluted confusion, which just added to my anxiety about picking up a paintbrush again.  As my friend frequently tells me, the internet is not designed for me, and the answers are not ‘out there’ on the world wide web.  Nor are they to be found in a book, or on a DVD, or in a class.  The answer is to simply pick up a brush and just paint, and trust the process: stop analysing exactly how do you paint, which does nothing but bring me to a grinding halt whilst my mind kicks into obsessive gear. 

I have nineteen paintings to prove that I can paint (most of them on my walls, and all done within the space of a week – that’s how long I’ve ACTUALLY been painting, when you add up the art time I’ve had in my timetable over the last year and a half): but do I look at them as a reminder of what I’ve achieved, and that I can do it?  Nope.  I look at them and worry that I won’t be able to repeat the process again.    

So now I’m proper pissed-off with the whole bloody world of trying to do it properly, when it turns out there isn’t really a proper way to do anything anyway – just a lot of different peoples’ versions of what they all think is proper.  And, to be perfectly honest, I’m not even sure I know what ‘proper’ means anyway, in this context – other than ‘the way that everyone else does it, which isn’t the way that I do it.’ 

Therefore, I shall go forth and continue to bumble through with my improper manner, and trust that it’ll all come right in the end.  Or not.  As the case may be.  Depending on how you want to look at things.  Perhaps there’s a proper way to look at things that I’m missing out on...?   

Snow Leopard

Snow Leopard
An experiment in watercolour and gouache

Quotes Quota

"Do you believe in Magic?" asked Colin.

"That I do, lad," she answered. "I never knowed it by that name, but what does th' name matter? I warrant they call it a different name i' France an' a different one i' Germany. Th' same thing as set th' seeds swellin' an' th' sun shinin' made thee well lad an' it's th' Good Thing. It isn't like us poor fools as think it matters if us is called out of our names. Th' Big Good Thing doesn't stop to worrit, bless thee. It goes on makin' worlds by th' million - worlds like us. Never thee stop believin' in th' Big Good Thing an' knowin' th' world's full of it - an call it what tha' likes. Eh! lad, lad - what's names to th' Joy Maker."

From 'The Secret Garden', by Frances Hodgson Burnett


Copied from photograph of the same name by Roberto Dutesco

Quotes Quota

"There is no way to happiness - happiness is the way."
The Dalai Lama

"If you don't stand for something you will fall for anything."

Malcolm X

On The Prowl

On The Prowl
Watercolour tiger

Quotes Quota

"What saves a man is to take a step. Then another step."

"There are far, far better things ahead than any we leave behind."

C S Lewis